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Dating a guild d 25 acoustic guitar

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It is still made, copied by virtually every guitar manufacturer.The decline of the folk and acoustic market in the later '70s and early '80s put severe economic pressure on the company.Guild also successfully manufactured the first dreadnought acoustic guitar with a "cut-away" in its lower shoulder to allow better access to the lower frets, the D40-C.In 1972, under Guild's new president Leon Tell, noteworthy guitarist/designer Richard "Rick" Excellente came up with the design.The rare S-200 Thunderbird solid body electric was used by Muddy Waters and The Lovin' Spoonful's Zal Yanovsky.Inspired by seeing Muddy Waters, Ross Hannaford acquired a Thunderbird, which he used extensively in the period that he played in popular Australian 1970s band Daddy Cool.Previous DTAR configurations only included an under-saddle transducer.

All Standard Series models feature red spruce bracing, satin mahogany necks, and bone saddles, nuts, and bridge pins, but have lower-grade wood and different ornamentation than their Traditional Series counterparts.The most notable Guild performance of that era was on the D-40 that Richie Havens played when he opened the Woodstock Festival in 1969.During the 1960s, Guild moved aggressively into the electric guitar market, successfully promoting the Starfire line of semi-acoustic (Starfire I, II & III) and semi-solid (Starfire IV, V & VI) guitars and basses.These models can be identified by the 'CE' suffix at the end of the guitar's model number. The New Hartford facility had also created a new line of specialty, limited edition guitars, referred to as the GSR Series.The GSR designation stands for "Guild Special Run." This series was first revealed to Guild dealers at Guild's dealer-only factory tour in mid-2009 called the "Guild Summit Retreat".The first Guild workshop was located in Manhattan, New York, where Dronge (who soon took over full ownership) focused on electric and acoustic archtop jazz guitars. The advent of the folk music craze in the early '60s had shifted the company into production of an important line of acoustic folk and blues guitars, including a dreadnought series (D-40, D-50 and, later, D-55) that competed successfully with Martin's D-18 and D-28 models, and jumbo and Grand Concert "F" models that were particularly popular with blues guitarists like Dave Van Ronk.